Most people in Western culture have at least heard of it, whether or not they actually could recognize it. Like the earlier Pathetique, it is much more dramatic than anything else written at that time, and it really captures the imaginations of people who otherwise wouldn't know classical music well. ![]() That said, I still have a special place in my heart for the Moonlight Sonata. Rachmaninoff felt the same about his famous C-sharp minor Prelude, Chopin about his Fantasie Impromptu. I think he might have grown up just a little bit as a musician during that time, don't you? Of course he looked back on it, slightly confused why people loved it more than the stuff he'd written since then that was clearly so much more mature. as someone who has played both, I do think that the F-sharp major Sonata is much better-written than the Moonlight, but it also came eight years, ten sonatas, two concertos, and five symphonies later. ![]() On the other hand, to my ears, it often feels like they are regurgitating standard tropes and not really innovating, which sounds rather stale.įirst of all you mean Op. I see this happening with a lot of people when they first listen to Indian music. At the same time, when you listen to music from these other cultures, you can't predict as much and therefore it sounds more sophisticated than it would to someone who has grown up ingratiated to those styles.įor some who has never, ever listened to polyphonic music, even Pachelbel's Canon in D can sound fascinating. Since you have presumably heard Beethoven a lot, the musical devices he employs are no longer interesting to your ears. ![]() However, this is biased because you are looking at a musical culture from outside in. I have some idea of how Armenian and Indian music sound, and have a feeling you are drawn to the more syncopated rhythms and the modal flavor, as well as notes which don't exactly lie on the chromatic scale. I would personally disagree - I find Beethoven to be unmatched in certain ways.
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